In the Winter Fall 2025 procession at the Paris Fashion Week, Dutch designer Duran Langenick continued to break the models through his strange designs. In a desktop, it does not seem to be in the science fiction movie, the group included silhouette with distorted dimensions, as well as cheerful patterns that included crazy animal publications and jeans.
But there were two synthetic roots stole the scene. First, it was six carved packages offered by Mika Mika Argana. Then came the peak of the sensual: Chandler Frex, a model of emerging males, used a pair of big and self -breasts.
The outrageous Lantink videos accumulated millions of views on social networks, where commentators discuss whether he has defended sexual liquidity or ridicule. For Lantink, it was about playing the idea of humans as dolls. “I love the idea of women like work characters,” he wrote in the notes procession.
It may be that, but it is also associated with an increasing direction on the platform: the artificial limbs. In recent seasons, fashion brands, including Martin Rose, Colina Strada, Blansyaga, used 3D make -up, masks and techniques to convert models into animals, foreigners and Siburg. More unforgettable, which is the Stockholm -based fashion brand, known for its crazy latex creations, made a replica of Kim Kardashian in silicon.
“(Designers use) the artificial limbs to challenge beauty patterns, explore transformation and identity, and create a broader cultural narration,” said Tania Nour, a bachelor’s degree in poetry, makeup and performance at London College of Email.
The older -year -old medical synthetic (artificial feet) returns from ancient Egypt, as it was used as a walking assistance. After about 300 years, in 300 BC, the first well -known artificial leg appeared; Made of bronze and wood, it is believed to be used by the Roman noble. After the American Civil War in 1860, more advanced wooden members were created to meet the needs of new periods.
The artificial ends were then adopted for technical and recreational purposes. At the beginning of the cinema, in 1895, the artificial limbs were created through a primitive mix of materials, including gums, cotton and wax. In the thirties of the twentieth century, the invention of the rubber masks that made the foam commercially available for the first time thanks to Don Post Props, prompting it to the title “The Halloween Dodfather”. For the first time, the real faces were immediately available to both artists and the public.
Elsewhere, the artificial extremities began to play a major role in the art of clouds, as performance artists use artificial marks and fill hip to show different forms of femininity.
Today, the results are more impressive than ever: the horror movie 2024 “Article” He won the Academy Award for the artificial parties used by actress Demi Moore and Margaret Kelly to reach the visceral appearance – although he later revealed that the artificial limbs had damaged his one -year skin to recover.
They also became a larger part of the fashion on the red carpet. Malina Sterins, a special effect artist, was the mind behind the Duja Cat look at Met Gala 2023, where Popstar founded Carl Lagerfeld’s Loved Cat in a customized Oscar and face ends. Stearns also worked with musicians in other creations, including the foreigner who appeared in the performance of the Sabrina Carpetter on VMAS 2024, the Sza Eyed album, and the pieces inspired by the crocodile used by Doechii Cayks and Ridsts.
Lantink is not the only one who uses artificial limbs to sabotage sexual standards. “I have applied a lot of fake breasts to men and vice versa,” said Sterens.
Inside and outside the path
Although materials like Latex still the industrial style when it comes to artificial limbs, 3D scanning and printing allows more complex creativity. The fashion, which was increasingly inspired by the entertainment world, is now invading its proposal.
In 2019, Balenciaga worked with Make -up Engineer GROGNARD to create a very justified cheek and lips on the models that were shown in her show. The video and photographer Nadia Lee Cohen used a series of artificial ends, wigs and fashion to convert it into 33 different characters for her project “Hello My Name Is” for 2022, where she explains the person who stands behind every badge in a second store.
Meanwhile, Queen Alexis Stone often participates Paris Fashion Week As different celebrities every season. Recently, Adele, a six -week process of research, sculpture and makeup.
A long -standing defender on the artificial limbs, makeup artist and businesswoman ISAMAAYA FFRANH have turned the models into creatures with Eilad Ears for Berber; Outside the planet Earth of Baku Raban. And the animals of Colina Strada. “The show (Summer Spring 2023) tried to overthrow the artificial barriers that we put between us and the planet. So the idea of converting models in this simple human hybrid looks simply right,” said Colina Strada Hillary Timur.
Timur said that the artificial parties were bought from a proposed party studio and then penetrated “to look a bit membership and a bit mysterious.” I expected them to be “wearing high -end fashion” and did not seem to be a way to cheap fraud or party store products. “They were only masks, they were complete transformations,” she said.
When used in fashion, the artificial ends served as a comment on the fact in which fillings and lifting became more common. Martin Rose sent models with wrong noses on the platform at Milan Fashion Week last June in an attempt to challenge European beauty standards. “The first thing you see in people is often your nose,” she told Vogue.
However, Stearrs pointed out that although “the appearance of plastic surgery is always popular and want to improve (their appearance), the increase in the use of artificial ends of fashion may have a more related to” art from cosmetics “. While cosmetic procedures are usually implemented mainly to highlight or rid design features.
Nour said: “The desire to create a flashy content and a viral moments give way to the total fashion and artificial limbs.”
Taymour sees the artificial limbs as a screen for artistic expression. “The fashion has always been about playing with identity, but the artificial parties moved it to another level,” she said. “It allows us to completely rewrite the human form – why do you stop in the style of clothes when you can design objects?”
Molly Jeep, a teacher of hair, makeup and the above mentioned artificial limbs, said that the artificial ends are a way for poetry and makeup artists to create that appear “in line with the phrases that clothes are doing.”
Some practical and progressive solutions appeared on the platform. Summer Spring 1999 procession from Alexander McQueen A sport for the disabled and dual amputation using carved artificial legs. Recently, the emerging designer Zhongzhi Ding created jeans with a building rod (with a sponge diuretic). She was inspired by the tone of Finland, an artist known for creating a very gay art, and they are intended for transgender men who want to wear clothes that confirm their type.
Ding connects the increasing interest to the artificial extremities in anxiety with the image of the body. By e -mail, he believed in his belief that “in the future, (will be) a request to the artificial extremities directed to more parts of the body.” For the larger part, the artificial parties are still fictional work of interest.
Taymour believes that there is room for the artificial limbs “to bypass the face and hands” and “can be used in complete silhouette transfers” that also include a dynamic movement. “Today, many artificial parties are fixed, but imagine if they were built – in flexible flexible robots – such as a breathing dress or a swing tail,” she said. “Fashion should always have a sense of imagination, so let’s take it more.”
See also: The fashion industry is one of the most polluted images in the world
