Fito PIEZ Creative Narrator. Music and crazy

a novel It is not only the new album of Fito PEEZ, but also an exercise in creative freedom, a sound journey that dares to narrate with melodies and narrative bridges that are often not suitable for with the traditional song. I had the great opportunity to talk to him – intense, clear, and provocative as is always the case – about the process behind this album, his narrative obsession, artistic maturity, and the eternal question: What is art in a world that seems to be collapsing?

Erriomia Sierra: Veto Pes, a huge genius! Your new production is already ready, as I understand, I have worked for many years: a novel.

Veto Pies: Yes, this is what it is. Yes, I was; With others, but in this I was 38 years old.

YS: Nothing more than 38 years old! Veto, tell me, do you get bored of my graphics? Because you all have. It is better now to go to Alfaguara, the planet, Herralde, Cervantes, and ASTURIAS Princess, I don’t know, the Nobel Prize for Literature, because we are with us a novel.

FP: It is clear it is a beautiful title because it summarizes the idea of ​​the story. You can see a novel quietly.

But well, no, he did not touch it, the book has not yet touched.

YS: When did you happen? Because, in fact, we tell us a story, on 25 Tracks They compose a novelFrom start to finish.

FP: Let’s see, everything is very mysterious. Have you seen creation? Everything, everything in the subconscious. First, of course there is a moment of a specific language, there is a more scientific … as Igor Stravinsky said: “You have to put a framework for contemporary music composers. Because, well, the sea of ​​music is endless and one can lose very easily. This also happens to us in the most popular artists.

However, I would like to tell you that one of the nutrients a novel He was drifting. Walking for many years was drifting, spinning, resisting time attacks and becoming strong over time. So, also when you tell their story and leave it printed. I think the story also asked for this, “Leave me here, look if I resisted, follow me, give me, give me, give me a strong noble body, and I can make me a strong dwelling so that you can cross the time well.” In fact, he came here with excellent health and is now ready to fly forever, as supposed, right?

YS: Hello Veto, to tell me that, because the truth is that I heard that from start to finish – as it should be done a novel– I got to know the echoes of these three great Argentina, of course, The maze, From Borges to 7 crazy, Roberto Arlt, of course, realized Fito PEEZ and its music …

FP: Thank you, Erryania! Yes, I think it “draws your village” as well because everything happens in the Villa of Constitchion, which is the small city near Rosario, where my uncles lived with my cousins, and that was the scene on the part of my childhood and adolescence. Therefore, this is the place that decided to happen events, but not in Metropolis like Rosario or Buenos Aires, but in a small city, in a small city in the province where I would have reached this poor circus and where I was discussing very high -caliber issues such as love, life, life and death.

YS: Specifically madness, as well as delirium that always accompanied you in all your productions, in all your creations.

FP: Well, psychologically madness, I do not know, I think it is a dangerous term, but curiosity. As I grew up with such beautiful things. Have you seen? With music, listening to such beautiful films, reading such beautiful books, between Lisergy and Beatles, Horacio Quiroga. The imagination of grace and Quiroga La Borgiana, Roberto Etrl, the things that one has been raised. It is clear that you have, you should expand the world outside its borders, and this is very beautiful. You can give an unpasteurized view, the world is the world.

YS: For many years, I realized in your pen, with your voice, a divorced poetic and prophetic quality. In a novel? I started this 38 years ago and saw Maldivina and Turbialuz. These two women who were the best in their university, PRIX, were the best, the best, for example, in students ’performance, so most of the others. No one can control them. So I have advanced greatly to all these feminist discussions that we have today.

FP: It happens that I grew up in mothers, so I know this fabric well. I received the love of many women and shared everything, I met my life with women. I grew up in the sea from the women who allowed me to know a little spirit of the girls who were, as was the boy who made a little, “No, I cannot understand them; no, I cannot.”

I say something else, I say: We are all people, it does not matter if we have a whistle, we have a nipple or anything and no longer there, there will be no more discussions about music, there is no sex. We are people inhabiting the world and we are complex.

Of course, sex issues, I don’t know if sex problems. It seems to me that everyone touched what he touched: XY or YY should enjoy, and if we have to change it, we also change it.

YS: From all of these Tracks They compose a novelWhat surprised you when it ended?

FP: Let’s see, one of them was Maldivina and turbialuzHe had many versions of that song and finally at the last minute, she asked for a hammer. To this day, I think, what I love most.

YS: I have read that it has become anti -culture, and this new batch of Fito PEEZ has become, because in the world of Tiktokero, not only for videos, but also songs, it becomes just a choir. So, you choose the counter current: you can make a long breathing bet, in fact, linking us from the first track to the last. And yes, this is completely bold, Fito.

FP: Look, tell me, they tell me almost all. I want the same thing, it’s my nature. The truth is that I do not, I do not understand this work, neither a provocation, neither as boldness nor something like that. I say that very frankly and from my heart: Simply in my nature, it is like this and now, at that time I asked for the path and disk. So, when things ask me about the path, allow them and accompany them and work for them a lot and I am on it. Pamper and as I said before, they collected a beautiful degree so that they could live for many years.

Let’s see yes, I understand what, regardless, everyone who repeats it here and there. It seems to me that what changed the time was the time and some of us remained in the happiness of a historical paradox. In such a conservative world, conservative youth arise in mysterious circumstances. Of course, one remains a “kind”. This is that the tortia has turned: the codes are still the most crazy and the revolutionaries, the investigation, and the study of everything. There is something happening: study, language knowledge, creation. There is something that happens when you spend more time in front of the screens than the piano or more time with the cell phone more than the guitar or study.

After that, the world that we know and the expressions begin to stop wilt because the tunes disappear, because the consensus disappear, because creativity disappears and everything in this device is held in the demonic invention of the silicon valley. So, there is part of this is the development of an article presented by the park in Berkeley and I would now be presenting it here in Boston. A section of this article on the twenty -first century music, which is called Music in times of group dementiaAnd it is the concept of “collective dementia” that was installed by the Italian philosopher in the 1970s, which, unfortunately, survived to this day. What I will do is that all this idea is that all that I tell you like that very quickly, has a widespread development in this article, right?

YS: We die to read it completely, Fito. Hey like you a novel, But on the face, which I love, is that the other “dementia” – which Veto Bayez does not exceed, is not personal – the dementia of the past, the present, and we hope in the future – because it is also a changing state of reason – it is, it, and will always be love.

FP: But imagination, let’s say. Fantasy and fun mind. Well, regardless of doing things, it comes to playing and learning as well, and communicating with emotions. And all of this, music allows you if you devote yourself, if you give it time, if she is a Melrich woman. It is a house full of puzzles. Then you have to be grateful with her, allowing you to enter her home and receive you, embrace you and allow you to do everything. Then you have to be sympathetic to it.

YS: Fito, to say goodbye. Yes a novel In fact, a traditional paper novel, which writer or writer asks you to write the introduction?

FP: Luis Carroll, of course.