25 years of dogs, Peron’s memory is very

He was. – Amores dogsThe very strong film directed by Alejandro Gonzalez Inarretto in 2000 returned to the festival, which witnessed its birth 25 years ago, and after winning a week of criticism, to promote it to become a global phenomenon.

This tape changed our lives for all of us who did it, but it is not many things in the perception of what Mexican cinema was at that time.

There was no possibility to create a young movie, and there were very strong unions and it was almost impossible to have a profession in cinematographers, in addition to that it was a difficult French competition.

It is a gift to have a movie that lasts 25 years after playing people from new generations. I am very excited to be today with people he saw in 2000, but also surrounded by young people who have never seen it on the big screen. “

Noticeably excited, blackAs his friends say, he recalled that in the year 2000, he was the head of the jury in the Critics Week, Italian director Bernardo Bertolucci, who presented The twentieth centuryWhich was exactly 25 years after the first show.

I remember that at that time I was wondering what the director would feel watching his movie after 25 years, but it was something he could not conceive and could not find a mental equation.

Today I am here at the Cannes Festival, where I presented a movie after 25 years, with Gael, with Martha Sosa, the product; And with all the team that is not here: Guillermo Arriaga, which made a great text, the product Mónica Lozano and all the actors: Adriana is prominent, Vanisa Pucci, and Joy Toulido, in an endless list. “

Before giving the microphone to GAEL, González Iñárritu thank it for “a horse running
single”.

We put all our hearts, the whole intestine, but Solita works and develops, speak differently, questioning certain things, and asking questions on the human nature, violent and fragile, which we have the film on this topic, from paternity, love, passion … are humanitarian issues, human exploration without answers. And I think he has kept the movie floating.

Therefore, it is an honor for me to be at the Cannes Festival, it is a truly privilege. I am very grateful to Terry Frimok, who opened the doors to Latin American cinema deeply and deeply. He concluded by saying that the door has been opened to us and we all celebrate this movie, which all belongs to us and all of us who did so. “

Jail simply cannot contain emotion.

I promised that I will cry when the movie started and not now (during the presentation), but I cannot, sorry.

It is really magic. It is not controlled in a way that cannot be. “I think the will, the life that the film’s life is the one that shows all this magic, that architecture that embodies us and I am very excited to show Shop those who were at the time forever,” added the translator, who remembers many actors from the movie, such as Emilio Itevo (El Chivo). Part without Octavio towards Siodad Khwariz.

I want once I thank this opportunity, but I thank Alejandro specifically because you changed my life, the boom. Thank you very much! He announced this with the sound of the sound while immersing the room with applause and preparing to show the movie that changed the history of Mexican cinema forever.

Big party

But last night at the Cannes Festival, the science of departure was only to celebrate Amores dogsAnd, which includes the launch of two books (one of the notes and one with WorkboardAssembling the installation that will visit Mexico City, Los Angeles and Milano, and reopen the restructured tape under the distribution
De Moby.

One year comes from Amores dogs And I think it will be very exciting, especially when we go to Mexico and call on everyone who did it to celebrate. The truth gives me very excited.

It seems to me that at the very right time at this moment in the life of Mexico. All that causes a movie from many emotional contradictions, from many social contradictions as it is Amores dogsThe winner of four Oscars ended.

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