Nearly six months after the establishment of the General Directorate for Cultural Training and Administration, Lucina Jiménez, its owner, was created in detail joinery The first lines of the work of this field that include educational, professionalism and procedures that we are weaving to weave a wide network of support to support the creative ecosystems system and support state governments to take advantage of the unexploited cultural infrastructure.
This title is located in the emerald building of the Los Pinos Cultural Complex, and this title was created on October 16, 2024. The plan of this region was already presented at the last meeting of national culture. Lucina Jiménez explained that it will not only support cultural managers in the country, but in theory, link creators and technical groups and facilitate resources to solve projects, although it did not specify whether there will be an annual amount.
In addition, at the present time, the official – who was in the last six -year -old as INBAL head, did not want criticism of the lack of arrears in maintaining infrastructure and supplies of technical groups – in detail the budget that he will practice this year or plan the organization that integrates the region.
¿What budget will you get the title this year? “While we design the project, (the budget) is under construction, (though) the Ministry of Culture planned to allocate the budget within its own scheme, but when PEF appears for 2026 and we have the entire accredited SC structure, it must appear.”
How many people do this address? “We are approving the Ministry of Finance, the full structure of SC.”
How many people are now? “It is not too big, but there is no benefit from speculating this, we will get it when it is already approved.”
She accepted the smile and in a good mood, Lucina Jiménez accepted that her area “Sui Geneeris” stressed the importance that “this is the first time that the country assumes, as a general policy, the issue of cultural administration … and this is what leads us to carry out a title that must respond to very specific things and that it follows the first path in the presidency and SC.”
To embody the ongoing work, Jiménez presented the project that was implemented in Tamaulipas, which consists of accompanying Fara-Fara, a northern music training laboratory in Rio Bravo. In addition to the trend they provide in San Luis Potosi to take advantage of their cultural infrastructure.
In essence, this general trend – which can be considered a lawsuit for those who have worked for years in cultural management – will come three large elements. The first will consist of drawing a training program to give the professional character to managers and cultural managers with certificates, management laboratories and workshops, and with the support of some universities.
The second will mean the creation of a “contemporary thinking program in management and general policies of culture”, which will include the establishment of a national and international cooperation network and virtual classrooms.
The third will be to work with issues of culture, art and immigration with state governments. “ExfonCA) has already has the stock of creators and creators who worked in immigration issues and that their work succeeds in moving” in the border states; Or the case of Guanajuato, which has four (cultural) houses in the United States.
At the conclusion of this edition, the official sent a list with the 25 procedures that this office started in nine states (Chihuahua, San Luis Potosí, Colema, CDMX, Tlaxcala, Oaxaca, Tamaulipas, Guanajuato and Quintana Roo).
The activities in which he worked were included: three workshops, three diplomas, two discussions for discussion, symposium, two laboratories, four institutional facilities for states to determine the cultural space profile, and two approved authorities. In addition to the signing of six agreements with public universities, the establishment of a virtual cooperation network, a digital warehouse and a link to link to training.
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(Tagstotranslate) Lucina Jiménez (T) The General Directorate of Cultural Training (T)
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