Three looks from Rosario Castelanus lit

It was on August 7, 1974 when Rosario Castrolate diedto. This happened in his home Tel AvivThey also referred to multiple sources, When connecting a lamp to the electric currentAfter leaving the bathroom with a wet foot.

From that pictureThat indicates The threshold between life and death From the writer – who It will celebrate the centenary of its birth Sunday May 25-, the Theatrical writer Ilina Joachins wrote the Play LampsWhich restores the life of the Mexican poet and narrator, which will be released on Saturday, May 24, at the Juan Ruiz de Alaredon Theater, in the university city, under the supervision of Mariana Garcia Franco.

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Work begins from that moment and then touches several parts of his life and writing. In addition, the characters that were important for Rosario, such as Dolores Castro, Raúl Ortiz, Ortiz, and Ricardo Guerra, although the poet is always preserved as a central character, from three looks, or three voices from Rosario appear on the scene: The Girl, The The The Absasor, He Hexeld Secelsian Excels.

For this gatheringThe director with scenic, says, Choose the development of a mild flood Fool hundred The lights that excite Rosario light. next to, It includes multimedia and sound design That translates part of Vida de la Autora de BaloonAnd as well His writings and the depth of his thought In a story it is not calculated in sin, but according to the layers.

How is Castillanus writing in the scene? “There are many items, such as the typewriter, theses, and above all, many fragments of the many poems of Rosario that appear at work, such as Portrait, passport, Narges 70 and glow, among others, because Rosario’s life cannot be understood without writing, that is, Rosario is almost a bigerian.”

How is the piece organized? “More than the Internet, it’s in the layers. Then, there is a continuous dialogue between the three voices, as if they live together at the same time. For example, we have moments where there are more childish situations, let’s say, and then it is the one who has the largest weight, but there is a three -pink dialogue on the stage.

What we could see here is the movement that Rosario always had, and which a woman had a lot of trips, from the committees to Mexico and then to Europe. But there is also a lot of movement in his thinking and his method of writing it, so I think we are focusing our reading on that movement and dialogue with it from our time.

On the other side, Garcia Franco says That is in The piece can be seen how Rosario Castilianos He was spearheadAlong with other women, to Talk about feminism. “I think society has changed, it has evolved, but there are still many things to continue thinking and thinking, and Rosario’s reading again is part of the reflection to continue growth, which is why it is extremely important to continue dialogue with this Mexican thinker and writer.”

finally, It highlights the plays written by Castilianespecially Eternal feminine. “It was the last thing that Rosario wrote, as he criticized in a timely manner, as is the case in his prose or his stories – as in the family album – where he creates accurate criticism about how society tries to determine the fate of women. It seems to me that this feminist rosary also appears in his plays.”

They seek to make Rosario Castelanus closer to new generations

the jobStarring Luisza Hearetas, Dolce Mariel and Anna Karen BerazaIt is shined by a hundred lamps – as a symbol of their legacy and their deaths – in the place of that It seeks to approach the number and Castellanos work in New generations.

Lamps I was in Common production with Federal Culture Secretariat It will be presented in Juan Ruiz de Alaredon Theater Subordinate University Cultural CenterThe follower May 24 to July 6 From July 31 to August 23, with jobs on Thursday and Friday at 8:00 pm, on Saturday at 7:00 pm. And Sunday at 6:00 pm

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