After Mimosas (2016) Oliver Laws He returns to the Morocco desert in his new movie What burns (2019). His fourth film is a road film through the desert landscape of South Morocco.
Cherke lopez He plays a father, along with her little son, looking for a disappeared daughter five months ago, with the suspicion that she can find her into the community of dancers during the infinite raves in the desert.
‘Sirath’ Review
Almost ten years have passed Oliver Laws Morocco was filmed in the desert Mimosas (2016), and The attitude of the Western adventure by looking at the Monte Helman’s plot gaps It seemed to be a very debtor for the currents of the slow cinema, and then the international writer exists in cinema. Were very vibrant in his films A row cars cross the shield of sand and dust at full speed The desert.
There are many powerful films in their fourth movie, Sirath, Your best picture and significant advance, Its heroes move through the Morocco desert with their trucks and vans As the characters are like Mad Max, But last search Rave At the end of the world; The Third World War seems to have erupted, but they only notice in the corner of which corner to combine the speakers they impose.
The richness of the faces and gestures for these ravaros, created by natural actors, is always one of the strengths of Laxin cinema Wrapping sounds and deep atmospheres of the natural screens, Professional translators come together Cherke lopez y Bruno nis (Enrik child Messiah): A father, along with his little son, is looking for his missing daughter, joining the caravan, with the suspicion that they will find her in the world Raves.
The first half of the film can be considered to be moving through the expected parameters in the cinema that looks at communities, and always accompanied by a significant job, loose slow cooking Ma Au Roo actor In the photo, it would have come to configure a variant in the search for vertebaba Desert centers (1956) A plot turns radically changing the record And contains a description of the paths associated with tension and suspense The salary of fear (1953).
This is not the script resource (Lax by four hands and his usual cooperation, Santiago Fillol) The most sophisticated in the world, and Creates serious incompatibility in the performance of the heroes, But once the film is completely transferred to the gender cinema industry, the threat is underground in front of an enormous empty space, making it more commendable.
In that second half, the characters we knew before were to live their own adventure, The survival and pain of the tolerable range Syrup In the parable of a hollow canvas, It can be concluded that every audience speaks of spiritual search, the object and the sentimental positions. Existential pain is a way to dissolve. As A Techno Music beats at the end of the world.