Michelangelo 3D sculptures are printed in a museum in Denmark

Behind the front of the red brick and the edge of the marble National Museum of Arts in DenmarkVisitors can now see almost all existing sculptures from Michelangelo – the “broader” exhibition of his sculpture that was installed 150 years ago, according to the Foundation – and more than 1,600 km from most of Al -Nahda artist’s works are usually seen. But to do this, the museum did not withdraw Devi Its length is 17 feet from Galleria Dilakadia in Florence, or the incomplete number is called “Victory Genius” near Palzu Vikiu. instead of, “Michael Anglo is missing”,, Which was hosted in SMK (abbreviating the CONEST Museum), has about 40 copies, including a new set of Copy 3D printed Made for the presentation by Factum Art Studio, based in Madrid.

Although it is not the first time Michael Anglo It was printed in 3D – The University of Florence has unveiled a replica of David made of acrylic resins at the Dubai 2020 – this time, technology was used to help in almost all artists in one place. The exhibition also displays original works by the Italian artist, including 20 drawings and a set of models – the initial models in wax and clay. “It is a little experience,” said Matthias Wife, Secretary of the Exhibition, in a Shamada video. “It is an exhibition mainly consisting of copies.”

Today, he added: “It is not something you see so much.” Michael Anglo Bonnarotti, sculptor, painter and designer from the fifteenth century to the sixteenth century who continued as one of the most famous artists of all ages, recognized for the dynamic and characteristics of his passion. They wrap and turn into space, or increase their muscles or maintain risky situations, although they are served in a steel white carrier.

In the Factum Art Studio, the team was not printed only in 3D, but used a mixture of new and traditional technologies. The intensive process included recording each work with photography and digitization to make a digital twin. They first printed all the resin works, similar to a replica of “David” in Dubai, but they did not stop there. Then they created silicone molds from printed models and established each one in a marble compound to approach the original material of the artist before the end of the final sculpture.

“Our goal is to make Adam Louis, the founder of the art of the incident, in the CNN VideoCamada, in the CNN VideoCamada”: “Our goal is to make Adam Louis, the founder of the art of facts, in the CNN VideoCamada. “You can distinguish between the difference if you can touch it or if you can hit it, because the temperature of the marble is not the same.” Create twins but why are the symmetrical copies? And if it is not possible to actually distinguish it to the separate eye (although it is warmer to touch),, Is it Michelangelo enough? Today we may not allocate a great value to copying, but in the nineteenth century, the famous sculpting plaster versions were the stars of many museums. Institutions such as the Chicago Technical Institute began their sets using plaster molds, and the shla mold workshop, which was created in 1794, is still active today. The visitors who traveled to Florence have found David David Dobeliganger of Michelangelo in their original outdoor location in Piaza Della Celria, but they were also established in London and Moscow, while bronze versions can also be found internationally.

Wendy said that many fusion shortly after the fusion of the largest exhibition of Michelle Angelo at the time in Florence in 1875 to celebrate the 400th anniversary of his birth, and had a mixture of original statues and the repetition of the new plaster. Details of a copy of the Sao Paulo from Factum ARTE, originally carved between 1503-04 for Siena Cathedral. But the copies ended up falling into neglect and ultimately in neglect, or closed or destroyed deposits.

In 2004, and Metropolitan Museum of Art He donated his collection of award -winning architecture and classic arts. The New York Times reported in 1987, they were neglected in the “leakage” storage in 1987. “There was this type of idol originality about the original things (start) in the twentieth century.”

In fact, he added that the establishment of the entire Western art could have been toppled without reproduction, because a very few original statues in ancient Greece are still present today; The vast majority of our knowledge of the period comes from Roman copies. Windi pointed out that the “Impossible” exhibition is a wide range of SMK plaster molds already included 27 Michelgelo about 45 sculptures, making it an ideal institution to host the exhibition. They also managed to transport the bronze mold “David” bronze in 1896, which was used to the usually displayed in the Copenhagen Port area-to the house, to become the “axis” of the exhibition.

“I thought this would be impossible, but that happened,” Wifi said about moving the sculpture inside. Wailor said that an exhibition of this size is “something you can only do with symmetrical copies.” “You get a richer experience as sculptors by seeing him in this way.” Inside Factum Art’s Studio. Artists work in copies of “The Genius of Victory”, “Rakel” and “Lea”And that was originally requested in the sixteenth century of the grave of Pope Julius II.

Most of them cannot move and others behind bullet -resistant glass, such as “Pietà” in the Church of St. Peter in Rome, or put on the cathedral ports, such as four of the least well -known saints that you carved for the Sienna Church, which has never been cloned yet. In SMK, visitors will have an unprecedented intimate with almost all their sculpture production – albeit not everything, because some institutions did not allow the creation of copies, including two of the four uninterrupted naked prisoners that Michelangelo carved in the grave of Pope Julius II. (These missing symbols are “great frustration of the width”, the lament of the Alweifur). One of the most likely identical versions they made is to rebuild the initial sculpture of Saint John the Baptist in Michelangelo as a child, from 1495 to 1496, which was protected in the Al Salvador chapel in UNEDA, but was destroyed during the Spanish Civil War. Conservatives took 19 years to restore work, which was displayed again in 2015, but Factum Art tried to improve by wiping every part of the fragments, merged and integrating it before reassemble.

“We spent two and a half years working on reconstruction to restore shrapnel as it could have been,” Louis said. Even the details, the Arte Factum data provides invaluable information to the institutions, said WIVER. “Its accuracy is at the level of micron … and this is very useful in future memorization processors (for). You can consult and know what was the case at that time, especially if it is damaged.” The Digitizations They Capture Are Taken at About 20 Inches Away from the Worss and “Capture to the Smallest Marks on the Surface,” Lowe Explained – Even Dirt and Dust, Whiche Can Be Challenge as it is read as extra volume or noise in the Digital Model. The wiping has its restrictions if it is not possible to reach parts of the sculptures, like the back of each other in the chapel ports. But the surface material and the details mimic marble in a way that the plaster cannot emphasize, from the marble veins that have been accurately added to suit The original businessEven adding dirt and cracks to the external that appeared on the surface to suit the texture and the condition.

It is a bust of “David”, which is fused in 1890 after nearly four centuries after the origin of the original in about 1501-04, one of the historical versions of the display. In the studio music videos made by Factum Art, Sculpture Minumental gathered with cutting for several months and years. Sol Costales Doulton, project manager in the studio who supervised his production.

“The way you imagine these things is completely changing,” she said at Lowe Videochhamada. She explained that it was “the genius of victory” that began to transform it skillfully whenever she died with him. “Everyone has seen him as a beauty that has disappeared very, far and idol. Then she starts looking at him, and begins to gain depth, and there is something very mysterious and deep in seeing, (how) is something they call over the shoulder,” I remembered. “So the psychological pregnancy, which is completely fasting, is completely when you have an opportunity to be with it and hear what you say.”

Although it was a distinguished position to have this time, it encourages visitors to take advantage of the proximity of the business together in the exhibition and really sit with them. Often, when passing through an exhibition or museum, you are taken to see everyone Business work. She said that your ability to their attention will be limited to a minute, a minute and a half, and then it will move to the next object.

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