Magali Lara (1956) is a risk to be vital and free

“Now I have more freedom,” he says without hesitation Mexican visual artist Magali Lara (1956). “I don’t have to satisfy anyone. I am in a very rich period of experience, to dare. Work should always be the risk of vitality.”

in interview Fool joinerythe Draftor, Painter, CeramistThe author of the artists and animation works He admits that he is surprised when reviewing 50 years of creative production And the desire to continue to work.

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I am lucky because I have a long career and I have been able to keep the desire to do it, because not all talents have the same time. “I am at a moment of work, instead of thinking,” he explains.

the A graduate of visual arts in National School of Plastic Arts in Unam It will open exhibition Five spiral contractsand Heal by Virginia Roy and Cuuhtémoc MedinaAnd that will be displayed in Museum of Contemporary Art University (Mawak) from April 5 to October 19.

How to unite the narration retroactively Again in time, start with I extend my fingers Y The skin is black cloudsThe murals that were made especially for the sample; He concludes with his first drawings in the 1970s.

It is one of the most ambitious opponents. It is believed that it is not only to work, but also the processes and relationships between concepts and techniques. It is a clear and bold coordinated proposal, designed with imagination and emotion. “

the A retroactive effect suggests a different nucleiWalls and fragments, future, bodies and organs, repercussions and tears, strokes and textures, interior, feelings of feelings and home stories, which have been collected over decades.

Daily violence in your attention and inspiration center

Plant world, Female body and rights of women and writingThe different exciting and existential sides are the issues that you explore Majali Lara.

Now, and Daily violence In the center of your attention and inspiration. “Violence is a wound that we have already put in our body, and it is a very strong duel. This is in new charcoal characters. I feel we are living in a dark time; but I do not want to say it shockingly, because we paralyze and do nothing anymore.

Mothers’ motive looking for mothers, who follow despite the danger they face, is a lesson in life. This civil need sometimes managed to overcome demons. I hope that in this dark, we can learn something to enhance and correct many things that happen in this country. We have a lot of dead, this pain. We are walking on a cemetery. “

the He was awarded the Bellas Arts 2024 medalWho is granted forebodeDetails that the idea of ​​a woman in the seventies, “must be defended from the right to listen”, has changed.

I am still important to get financial resources to choose your life and the right to miscarriage, of course. But I am another: I already have a son about to be a father, my parents died and the climate changed here already. All this turns concerns, does not stop exist. “

He says he is interested in what other artists do And a conversation with them. “It is interesting to see that there is an interest in reviewing my work. It seems that my work is closely related to my personal life, but there is always a conversation with other people.”

The Creator admits this Drawing is your first tool. “I developed it as something closer to writing, in black and white. The painting began to take care of me in the 1980s. I loved the color, which has always had a very sensory reading.

Now, I am not interested in digital art, but the printing processes that you allow. The digital graph made a common field with photography, graphic arts and textiles. But I do not integrate a technique because it is new, but because it serves me for what I have to do. “

As part of Five spiral contractsApril 5, at 12:00 hoursLara, Roy and Midina will recently be presented in the hall Museum of Contemporary Art University (MUAC).

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