Kaijiu No. 8, the monster we carry inside

The beating actor Omar Sanchez, the actor in his dubbing, finds Kafka Hibino and is waiting for any anime followers Kaijiu No. 8 I can feel the same.

Fighting, emotional conflicts and imagination are always present in the anime Kaijo No. 8 He seeks to take him further with that with the protagonist, Kafka Hibino, who is not a teenager in the formation, but a man who deals with the passage of time, routine, fatigue, and the weight of the dream that seems to have disappeared, belongs to the defensive forces in his entire city in a world full of brutal inconsistencies, where his depth was in the movie Mexican O OnCickez.

Kafka had already abandoned his dreams, but he was still trying. This makes it different from many heroes: not in the youth’s flower or thinks everything is possible. He has already failed, he actually surrendered, however he wakes up every day to try something that seems incapable. This is what prompted me when I interpreted it, because it is very similar to that we feel many adults who are still not abandoning those who wanted to be, for example, cost me years to find leadership, and a person who did not give up and make sure that he is like Kafka and I have a lot, “We have a lot,” says Omar.

The series, which is based on Manga Nawia Matsumoto, in Latin America, found a wide audience that admits more than admiration for fighting and working. There is silent tension in Kafka that communicates with those who live trapped between the requirements of adulthood and the desire not to give up an essential part of themselves.

In the background, he does not know if he will achieve it, but he is still trying, because there is something inside it that has not been stopped. Kafka is not a person who believes himself, on the contrary, he is full of doubts, but this makes him real. His struggle is not with the enemy, but with his insecurity, with the shame of feeling that it is useless, with frustration with seeing how the time passes and one does not come. “This honesty, I think he is calling many people,” says Omar.

Kafka Kaijo becomes the creature that represents a threat to the state, and is completely away from the domination of that power, hides, and hides it. The series does not set the transformation, but it uses it as a metaphor: the monster as part of every person, which can be isolated, which is ashamed, but makes anyone unique and carries it forward, as happened at the age of himself.

Sometimes, we have problems that we do not want others to discover, but often these problems can become, if embraced, our strengths. I have a little bit of attention, and after a long time I lived with great anxiety. I felt that I was not inappropriate, and that I could not bear certain things. But when I enter a dubbing booth, I turn myself: enter Hyperfoco, communicate with what I do in a very intense way. Kafka also has: He does not deny what he is, as he learns to live with him. For me, this was a very strong mirror, “the actor reflects.

The representative challenge also includes the understanding of these internal layers. In the case of Kafka, there is no space for the flat championship; There are contradictory feelings, sadness that lives with the motivation to continue. To Omar, such characters are those who determine the professional maturity.

I felt prepared to do this because I was coming from comedy, melodrama, the tragedy could already address the personality of all this range of feelings. But what helped me most is technology, but my private life. I also felt frustrated, outside the place, invisible. And finding a personality that does not deny it, but it appears in dignity, I felt that I had something real at hand. Kafka is not amazing, he is a human being. This is why it affects a lot. “

Film Kaijo No. 8: The task of confession It works like a bridge to the second season.

More than a summary, it becomes an emotional extract that allows the spectator to meet the basics of the personality. In addition, it includes an unpublished story that focuses on Captain Hoshena, one of the favorite fans.

It is a group that puts you in the context if you don’t see the series, or remind you if you already see it. But this is not only: there are scenes, show again, gain another weight when you know Kafka better.

It also includes OVA on Hoshina, who won the scanning of popularity in Japan. He is also a character that also reflects this idea that being strong is not the same as being invincible, and who enriches the world of the chain a lot, “Omar’s details.

The influence of the chain in Latin America went alongside the Dubbing power. In this regard, Omar lived for the first time, direct recognition of the public: agreements, social networks, direct broadcasting and fans. However, he also had to face the internal doubts that accompanied him for years.

At some point I felt with this fraudster syndrome. I wondered if I already have talent, if I deserved to be there, if it is up to her. But after 13 years of job, from failure, from small characters, I wake up every day to do my best in a dubbing room, I learned to realize that I had no fortunately, but for stability. After I fought daily to get this, it makes me realize that I am in the place where I should be, and that I always wanted to be. “

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