Today’s aquatic color technology is one of the best times. “15 years ago, a boom began in various countries, which was growing, and technology has preferred it,” says Mexican artist Terry Lujero.
He adds in an interview that “watercolors are no longer considered less technology and beamy, which dealt with issues related only to landscapes and image. The parameters that have been measured have changed, because the factors have been modified.”
This new concept is the result of the work of 60 years of the work of the Mexican Water Colors Association (SMA), which was founded on April 28, 1965 by the promoter and artist Alfredo Guate Rogo, among other international organizations.
The Civil Assembly, which was born with 13 members and tension, is now celebrating 140 active members in the country, six decades of life with the team exhibition. Mexican sayings and complimentsWhich will be opened on April 27, at 11:00 am, at the National Aquaculture Museum, located in Cuyukan.
Lojero, the creative coordinator of SMA, along with Paty Gorostiza and Rebeca Arrieta, explains that the exhibition combines 82 selected works out of 103 watercolors who responded to the invitation of the sixteenth edition of the Society Award.
It is inspired by their popular sayings and compliments for our country. Those who say that three of these pieces will be granted seven honorary signs.
The architect also emphasizes that the value of the watercolor, before techniques such as engraving or oil, has been reduced to various factors.
One of them was the shape in which he worked, which was very small, because he was believed to be notes.
Another of the things that was said about this technique is that it was fleeing; That is, the colors did not last over the years. This issue has always been discussed, because the Mexican watercolor, which begins in the pre -Hasbani era, is preserved to this day in Mayan or Aztec Stelae and buildings. “
The third factor, continues, is the issues. “Water colors begin to work by biologists, who drew papers and plants with their characteristics. But later, during their trips, they began to pick up the scene.
After that, the nineteenth century artists, who sought nature, began to participate in water color tours. Little by little, the topics have moved from biology to the scene, to the pictures and still life. Political, social, protest, struggle, human rights topics are now created without leaving the traditional. “
The fierce says that the industry that provides them with materials “has expanded in a wonderful way, and seeing that people are asking for more watercolors. There was a great development of paper, brushes, support and dyes. With them, greater resistance to light is searched.”
It ensures that larger formats are explored. “Today, there are 3 x 7 meters, and paper can be arranged with specific measures. In addition, at the time of the climatic crisis, it is scheduled to be non -toxic and easy to transfer technology to move. It is the first that children learn in school.”
The promoter admits that “we must attract new generations, which are close to art, facilities, videos and more objective performance.
The account that enhances the creation in Mexico is a profession with water games, as it is in Peru and India.
We have colleges for art and design that grant certificates, unam and Coahuila University. But we want to enhance a degree. “
Currently, contemporary watercolors such as Anna Laura, Norma and Marta Salazar, Javier Gomez Soto, Jose Abasa, Juan Jose Herrera, Adriana Lerma and Alfredo Guatei, are working from among others.
The sample will be displayed for a month in the museum, which contains a range of five thousand water colors from various countries, which was drawn during the nineteenth and twentieth centuries.
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