Frankstein is not a horror movie

He was.

Guillermo Del Toro gave a real chair for music and movies next to the French composer Alexander Decat, with whom he shown a major chapter at the Cannes Festival.

A little more than an hour ago, both artists talked about their creative process to include music films like Waterand Pinocio S. FranksteinAnd that you have advanced will not be a horror movie.

“I don’t imagine my films of their movie. For example, they asked me recently Frankstein It will be a horror movie and you answered not. I never think that I am making a horror movie.

“For me, it is an incredibly emotional movie, like everything I have done. It is about being a father, being a child,” the director said. Chronusand Water Y pacific rim.

This new adaptation of Mary Shellley’s novel, Oscar Isaac, Jacob Elordei and Mia Jot, has become one of the most expected first offers for this year, and it seems that everything indicates that it will show the first show next September in the Venice sample to reach the Netflix platform later, which she fell.

On the other hand, Decat said that “Guillermo’s Cinema is very lyr Frankstein It will be very lyric and emotional.

“Keirmo Cinema is very lyrical and Marie Shellley, author of a book” FranksteinAlso, even music Frankstein It will be very lyric and emotional. The French composer said: “I am not writing horror music.”

During the conversation, Del Toro said that one of the great tasks for filmmakers is “listening more than talking or providing instructions”, because from this reception, the space of dialogue with the collaborators you find.

He added that the goal of the result (musical audiovisual action) is that it picks up and transmits the emotions of history.

“Music is not present to help the scene, but rather to be an essential part of the scene.

The director, who has also devoted a few minutes to talk about the importance of emotions in music: “The camera decisions, that is, the height in which it falls, and its choice of optics, its tires and movements, is the ones that dictate the music of the scene.”

“I am Mexican, and therefore, I am very emotional.

“We have to get rid of our emotions. It is something risky these days. For this reason, I say that the feelings are the new villain and the risks (Alexander Decat is always).”

The main chapter was so comprehensive that during development films, such as Water S. PinocioThe result and the audio design were extracted to show its importance when telling the story.

On two occasions, the composer won twice Oscar for his work in Water Y Gran Budapest Hotel He put himself in front of the piano, especially for the occasion in the Louis Bonuel room, to explain some melodies, while the bull amazed the song or sang a few two syllables of it.

At the end of the conversation, Guilleermo del Toro got an original degree of Georges Delereue (1925-1992), the French composer of films like Jul and Jim (1962), contempt (1963), American night (1963) y Platoon (1986), which was considered a great admirer.