Upload the curtains and without caution, a time journey begins. On the stage, the music sounds, and in the next 60 minutes, nothing else is more important than this: what do we do with our time? Or how do you go towards us as years? Only then, when the last focus and shows are out At the right time The right question arises: How do we believe that diversity in art does not match?
Four of the seven dancers of Ana, Julon, Ana Maria and German have dedicated the professional dance company Fritch to the scene, including the Psycho Bale Mite Leone Foundation. They have something in common with them: Their disability does not prevent their career from dancing. “We went to Paris to dance and it was an unforgettable experience,” says one of the dancers, saying that at the age of 50 he fulfilled a dream.
Though the story of these dancers is not explained without the mite, the dancer, the choreographer and the mother of a daughter Disorder It is, forty years ago, Ready to show that dance could help her, she decided to teach her to dance. “When he saw her daughter had evolved, he began to teach other students in his school,” says Esther, a professor of Psycho Bale and a member of the Fritch founder.
Over time, Mite was surrounded by the world of art, medicine and psychology to create a common program: then the theme of what the ballet psycho system would be. “We don’t start from the range but they are from the efficiency of each If we express themselves and try to use their skills fully and use them to dance, “Esther explains.
Bena
For more than four decades, from the first seed of mite sowing, professional paths such as professional paths Ana, 21, 21. He is one of the most intelligent dancers of the company today, but he is well aware of his dream that you are “Professor of Psycho Balle and as the editor of the Fritch.”
Dancing can I express myself freely with the body
“This is complicated for people with disabilities, so the most important thing is to rehearse and rehearse, even if each is their size,” he explains. And the theory is used for the letter: Dance from 4 to 9 pm every day. This is only completely free. “Dancing can express me freely with the body,” he says.
One of the three current pieces of work, of which three dancers have participated with a long and recognized art life – Amaya Geloid, Maria Cabesa de Weka and Myit Gomez – ‘Fitta’, which speaks of accurately, celebrating life. It is also Jelan’s wishes, which leads to a lifetime dedicated to dance, in his thirties.
Like most of his team players, he started five people at Psycho Bale School, and now, In addition to a professional dancer, he is an actor. “Work in the series Scarof Amazon Prime“His biggest challenge on the stage is that he tells us, to rest” Sometimes I have a lot of strength because I am tense, I have to learn to release the body. “
Are the same as the dance
The idea of one of the largest obstacles in the dance world for people with disabilities The protocol of this art is the ‘right body’ that is exclusively associated with the symmetric bodies. And physically active.
In addition, when you think about the dance of people with disabilities, a therapeutic approach is always provided, considering only a rehabilitation tool, rather than an artistic expression. This is the wall they want to demolish from the basement. “Fritch company This is the last step of the professional path“They explain from the system.
In the basement they speak from all kinds of art-style to song or dress design and makeup-and have two dance institutions besides the school’s school, which is created by students and future members: Psycho ballet, without flaws and 80 dancers, and its professional team, contemporary dance and collective work.
“Here we get out of classic forms Accept that dancers have different bodies It allows them to express themselves from what they are. Esther explains, “Esther explains, and undoubtedly, although the group work is important to the success of this actor,” What makes us special on the stage is that we are very attached and we have a lot of complicity, “says the dancer.
Cocktail of factors – consistency, learning, freedom and complicity – arises The greatest gift for any artist: the emotion of the publicThis is the way of art to change us and leave an identity on us.
In At the right timeThat moment comes when the dancers stand up and greeted the public. So, what a brief idea is experienced. It seemed to be a foreign story and belongs to deeply. The message of the job will no longer be on stage, and comes with the viewer after the lights go out.
In a nutshell, dancing is not just an art: this is the language that shapes the invisible. It is one of the most involved territories – and more revolutionary – because it challenges the notion that only a few bodies are worthy of being seen, celebrated or heard. Ana, German, Julen and Ana Maria, the courage to live in it, not only finding her own place to live in it. But they change it at every step.
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