Painter and sculptor Antonio Lopez will welcome the audience of his home, Francisco de Koya’s natural size sculpture, In the city of Foundetodos (Saragosa). This is what it does in a day of full amendments and debates on the end of the job with EFE access this Wednesday.
The 89 -year -old artist has come to Art 6 in the Arkanda Dell Ray (Madrid), in the beginning and quickly sits on a small staircase. The Great Goeska Party of the city is celebrated in September.
Two ready -made works for bronze in the workshop correspond to: Digital intention made of first 3DExcept for the head of limited features, light and almost focused; Second, made of polyuretin, Wood can help make the wax mold, which is used for the ultimate solvent of the bronze.
A koya About 190 cm, whore dressed.
The head is not properly placed -the high, the most advanced, the wonders -and after many discussions, the Lopez and the sculptor Andrez Garcia Epepses, who have been in collaboration with the editor, for many years, Remove it and reinstall with a plasticine site they choose This will allow it to move slightly until the right angle, which shows the end, but not excellent.
“This is the old koya, or the young Goya, it is Koya and an artist He has done an important task, it is strongly steps, but not tense, because he is smart. A Goa, which has already carried out important things, is already deaf. About 50 years of a koya, “Lopez explains.
In his opinion, “Goya is a clever man Just as any other worker could do, it did a job for society. “
The body of the sculpture is based on the actor and singer August GonzalezWith the music of the monuments, Funedotos will play Koya in the days of Goeskas and come to the Founder with the mayor of the city, the mayor of the city, the person who appointed Lopez.
Saluva is responsible for the exit of a day’s celebration to commemorate the painter every year About 20,000 visitors per city with 140 registered neighbors, of which only 70 live.
The conversation rotates where the statue is properly placed and the door of the house, the reception, the comfort or the not on a site. Lopez is clear: without a pena, “I put on the bottom.”
“The place where it is, is very familiar. Raising it to a site may not be similar: it must be on the ground. He’s in his village, at home, how are you going to put a site? “ The artist argues that a small base is ready to give more stability, but bury it and it will not be found.
Work that is ready for Lopez in about two months, “Summer passes in Funedotos, where it resembles.”