Wall of Juanna Ins de la Cruz November 12, 1648 born in San Miguel Nepantella, (today Nepantlet de Sur Juanna Ense de la Cruise), In the state of Mexico, the last great figure in the golden age of Spanish literature. It was an exceptional intellectual that covered his work with all his time.
According to Encyclopedia of Literature in MexicoIn the context The new Spanish property deputyWritten by wide production that includes Lyrical, philosophical and frozen poetry. Theatrical comedy cars secrets religious and carols Important to important liturgical celebrations.
His style belongs to Baroque, It features complex images, legendary references and genius linguistic games.
During his life, his work reached a great recognition, in part due to the support of the Deputy King’s Court, which it facilitated its publication in Spain.
It was read and admired in many Spanish Empire regions.
His hair is characterized by sound wealth, conceptual depth and great use of language. Although during the eighteenth and nineteenth centuries, its position decreased due to Baroque’s refusal The twentieth century It was discovered and appreciated as one of the great authors of Spanish literature.
Among the believers of the principle of renaissance represented in tradition, the wall of Juana adopted and overcome the classic models of his time.
It works like “The first dream”, “home efforts” and “Divine Narcissus” They prove their individual talent.
In addition, for him “Responding to the Wall of Velotia de la Cruz ” Not only an emotional defense of a woman’s right to know, but also one of the most relevant prose texts in Novoespana’s literature. The character of sister Juanna, for a grant, is still poetic sensitivity and critical thinking, the inspiration of readers and scholars around the world.
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The wall of Juanna He died in Mexico City on April 17, 1695Indeed, 330 years of his death, his character is still a pillar of Spanish literature; Evidence of these six poems chosen to celebrate his work.
In chasing me, the world, what do you raise interesting?
In chasing me, the world, what do you raise interesting?
What do I offend you when I just try
Betis in my understanding
Not my understanding of beauty?
I do not appreciate the treasures or wealth;
Thus, it always causes me happier
Put wealth in my idea
Not my thoughts in wealth.
I cannot appreciate beauty, defeated,
It is the civil disposal of ages,
And do not satisfy wealth,
To be better, in the facts of my country,
Vanity consumes life
From consumption of life in vanity.
With dead wound pain
With deadly wound pain,
From grievance love, I expressed to me,
And knowing if death was
I tried to be more slender.
Everything in evil is a funny spirit,
Bina for sadness added his pain,
And in every circumstance you think
There is a thousand deaths of life.
And when, at one blow and another
Surrender to the heart, was painful
Signs of giving the last sigh,
I don’t know what an amazing fate is
I went back to my approval and said: What am I like?
Who was happier in love?
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This is what you see, colored deception
This is what you see, colored deception,
This, from the art that carries ignition,
With false colored measurements
It is a cautious deception of meaning.
This is one, which was intended to overcome
Horror excuse for years,
And overcoming hardness
It succeeds of aging and forgetting,
It is a group of care,
It is a flower of sensitive winds,
It is a useless shelter for fate:
It is a foolish diligence,
It is an effort, and it looked well,
It is the body, it’s dust, it is a shadow, nothing.
This afternoon, oh good, when I spoke to you
This afternoon, oh good, when I talked to you,
As in your face and in your actions across
This in words did not convince you,
That the heart you saw want.
And love, my attempts helped,
Win what seems impossible,
Because he was crying that poured pain,
The heart has been distilled.
It is sufficient for hardness, good, enough,
Do not torture more pharmaceutical jealousy,
And do not contrast your evil stillness
With foolish shades, with absurd indicators:
Well, in the humorous liquid I saw and caught
My heart pledges in your hands.
Love begins with uncomfortable
Love begins with insomnia,
Application, brackets and detection.
It grows with risks, groups and scratches.
Under the screaming of prayer and prayer.
Doctrínanlele tibiezas and take off,
I keep my presence between the deception,
Even with grievance or jealousy
Turn the fire with your tears.
Its principle, its environment and its end are:
Why, Alcino, you feel wrap
From Celia, what another time you want you?
What is the cause of pain?
Well, love did not deceive you, Alcino,
But the exact term has arrived.
He stopped, my will have been far from reaching
He stopped, my will have been far from reaching
The talisman image that I want more,
They are beautiful to those who die,
Sweet fantasy for Pinosa alive.
If your attractive grace is a magnet
Saddam of the obedient steel serves,
Why do you fall in love,
If you have to make fun of the fugitive?
More Blasonar you cannot please
That your tyranny triumph from me;
Although you mocked the narrow bond
This wonderful model that overcame,
It does not matter the making of the arms and the chest
If my imagination is a prison.
(Tagstotranslate) Excelsior (T) Hypsum (T)
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